Conception of this set of the portraits

This set uses funds of painting. It is not question here of to give a legitimacy to the photograph with the help of the painting, as if the photo had to make itself painting to become a work.

I tempt to make cohabit in a same picture the sculpture, the photograph, the painting, and the numeric.

Composition of the pictures of the set:

Photograph of sculptures on tombs of the Cemetery of Father Lachaise.
Photograph transformed in mosaic by a computer process.
Bottom of painting in the shape of grid.

IT is about creating an unpublished and unique picture while appropriating me a photograph of sculpture and using the painting as medium.

The photograph and the numeric are all two of the mechanical reproduction means and determinism.