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| Metaphor of the psychological confinement the grills is everywhere present in the art of the XXème century. The grid modifies the perception, mark the mind, the separation. In this set of pictures a mental picture is that superimposes itself to the photograph. Rosalind Kraus speaks of projection by the grid of the surface of the very painting. In the same intellectual conception I tempt a projection of the surface of the photograph. This photograph that became a skin of picture by transfer |
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