“One can imagine time when the painters will not make even any more spread out by others the color, will not draw even any more. Joining gives us there before taste of this time”. This time there about which spoke Aragon in 1935 in an article “painting with demolished” and well on topicality in 2007 through a step of original assembly called TRASH of Bruno Mouron and Pascal Rostain. It is a question for them of locating the dustbins of known people, to track the contents to treat them in their workshop. It is a question of making a composition in the form of table. The assembly the composition thus carried out is judicious to reveal the behavior of consumer.

These compositions seem all the more to interest the public that it introduces to assemblies of household refuse coming celebrities which one knows the intimate life with other means.

A kind of study sociological carried out through a series of tables according to some comments. For others an aggravation of the voyeurism of a public to which one gives the opportunity to explore the dustbin of its idols. This step of assembler collagist and photographer is to be brought closer that of Arman which accumulated refuses to expose it in tables and which were integrated in the movement of new realistic.