Gilbert Lascault Emeritus Professor of Philosophy of Art University of Paris I
Forging link tinkering.
Gilbert Lascault publishes books aesthetics (The monster in Western Art, 1973; Figurées, disfigured / Small vocabulary of femininity represented, 1977; Writings on the visible timid, 1979; Faire and undo, 1985, etc.). monographs (Malaval, Ernst Bacon, Boltanski, Boteero, Grau-Garriga, Louis Pons, etc.). books of fiction (Little tetralogy of fallacious, Gens regular Sore-les-Sept-Gardens, Hell buffoons, and so on. .). In particular he published comments fictional in collaboration with artists.
As part of the symposium on the assembly he talked about the work of Christian Jaccard. The work of the latter located in the concerns similar to those of the support surface which he has not done. Nevertheless, exhibitions devoted to Supports / Surfaces sometimes associated Christian Jaccard. Starting from 1971, Christian Jaccard uses "tools" string, twine, knots. These tools replace the brush to produce traces on the canvas.
Heana Parvu, teacher assistant histroire of Art University of Geneva.
Construction and assembly: the sculpture in question.
She questions the concept of assembly by presenting works that are not. Unlike assemblages surreal juxtapositions that are one can imagine assemblies which have no juxtaposition. The objects interact with other objects. For example, an object that is placed relief by the artist Rosco on the facade of the Museum of Modern Art who maintain a relationship with his environment.
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